by admin   /   18.06.2018   /   0 Comments

Marie Claire USAmy Adams gets what she calls “the feels”—visceral vibes sparked by a sound, a smell, a setting, a certain something that triggers a memory. New York’s Central Park is loaded with feels for her. Adams knows every inch of this 750-acre haven. She can introduce you to each statue and fountain, the under- and overpasses, and all the best places to get lost. She could rattle off every movie scene filmed in these groomed wilds. “Walking in Central Park is my favorite thing to do here,” says the actress, leading the way, blending in with park visitors in her big sunglasses, white tee, Lululemon leggings, and Nike tennis shoes, a Starbucks Americano in hand. “There’s something about the serenity inside of the chaos; I love that juxtaposition.

This serenity has a life of its own, with the rhythmic clopping of horse-drawn carriages, the scent of sugared-nut carts, bikes whizzing by, and music drifting through the air. Over in the band shell, tap dancers tap, tap, tap away. “Where else are you going to see that?” asks Adams, smiling. Stopping suddenly, she points to children running in the distance. “That playground gives me the feels. My daughter, Aviana, broke her foot there. So the feels in this case is an anxiety bubbling up,” she says, emitting a jittery trill. “It was scary. She had a buckle fracture on all the bones across the top of her foot. She was about 4 or 5. We started calling her Wolverine, she healed so quickly.

My husband and I went for a run while Avi was playing with the nanny,Adams continues, walking on. “And when she saw us, my daughter started running toward us and fell down. We had to run back to the hotel, and Darren was carrying her, and in my mind I was like, Oh, my gosh, this is so ‘Kramer vs. Kramer!’ He looked like Dustin Hoffman when he was running out of the park with the child in his arms, and I thought, Amy, what’s wrong with you?” She laughs. “That was my mind’s way of dealing with my daughter being injured: coming up with a movie reference!

You can’t blame Adams, 43, for having movies on the brain. She’s made nearly 30 films since breaking big in the 2007 live-action fairy tale Enchanted, her perfect oval face, dimpled chin, and wide azure eyes able to capture any type, any era, in every genre, from Disney princess Giselle to comic-book reporter Lois Lane to real-life artist Margaret Keane and Vice President Dick Cheney’s wife, Lynne, in the biopic Backseat, opposite Christian Bale, out in December.

As major as she is, Adams is more actor than star; while her peers can’t help but bring a bit of themselves along for the on-screen ride, she’s up there without a tic or a trace of who she really is. The only constant in her work is the intense economy with which she pulls it off. “Amy can convey so much with the subtle movement of her face; she has the most expressive eyes,” says Tom Ford, who directed Adams in 2016’s delicious film noir Nocturnal Animals. “She can literally telegraph her feelings.

“There’s something freeing about playing somebody who’s a mess.”

In her five Oscar-nominated performances, the actress induces all kinds of deep feels, embodying a pregnant chatterbox in Junebug (2005), a guileless nun in Doubt(2008), a tough Boston barmaid in The Fighter (2010), a Lady Macbethian cult leader’s wife in The Master (2012), and a swindling siren in American Hustle (2013).

Odds are she’ll add an Emmy nod for her work in HBO’s series Sharp Objects, an eight-episode adaptation of the best-selling novel by Gillian Flynn (Gone Girl), premiering July 8. Adams, a co-executive producer, stars as Camille Preaker, a self-mutilating, sex-addicted, alcoholic newspaper reporter fresh from a psych ward who is sent to cover a pair of creepy child murders in her creepy hometown where her creepy estranged family lives.

It is the slimmest of my books and the one that’s gotten the most screen time,” Flynn says. “I worried as a two-hour movie, it would all be procedural; Sharp Objects is a character study hidden inside a mystery. It’s not a whodunit; it’s a ‘who-is-she?’”

She’s someone who couldn’t be further from the actress playing the part, and yet “Amy has this dark quality that is always there, even after five, 10 minutes,” observes Jean-Marc Vallée, who directs the series in the acute documentary style he used to such great effect on HBO’s Big Little Lies. “Camille has so much pain and shame, pouring liquor all the time over her demons; she carries all these scars. Amy didn’t judge her. She approached her with humility, humanity.

There’s something freeing about playing somebody who’s a mess,” Adams admits. “But the depth of pain that she’s constantly in is tricky. I felt like I had to not back away from it because so many people have a personal experience with this book.

Not the least of whom is Flynn, who confesses,“It holds a lot of my own little demons. What Camille carries with her—that’s my appetite for self-destruction. It’s been very hard and cleansing watching Amy take on this character. She looks like a china doll, with this beautiful angelic voice, but she has this real grit to her, this uncrumble-ability, a resilience. She’s a ballerina with a steel spine.


Here, a few highlights from her July cover interview, on newsstands June 21:

ON THE CREATIVE FREEDOM OF BECOMING CO-EXECUTIVE PRODUCER OF HBO’S SHARP OBJECTS:

“To know you could be part of a creative conversation that you’re not invited to was frustrating. So, being an executive producer, I felt that I had the agency to offer my voice and that was exhilarating.”

ON EXPLORING HER DARK SIDE:

“There’s just so much truth in the darkness and the sadness and I’m willing to explore it now in a different way. Before, I thought people wouldn’t like me or they would think I was crazy. Now I know I can navigate my own personal darkness and it won’t consume me.”

ON HUSBAND DARREN LE GALLO’S RELATIONSHIP WITH THEIR DAUGHTER:

“It’s sexy to see him raising a girl and teaching her how a man should treat her in a lovely way.”

ON AGING:

“I want to do everything I can that does not involve needles or knives.”

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 > Magazine Scans > Scans from 2018 > US Marie Claire

> Photoshoots > 2018 > #005 US Marie Claire

by admin   /   14.06.2018   /   0 Comments

Telegraph – In a corner of the genteel lounge of Los Angeles’s iconic Chateau Marmont, Amy Adams is launching into the opening lines of the Abba classic The Winner Takes It All – and it’s pitch-perfect. With other Hollywood actors, this tuneful showcase of talent, five minutes into an interview, might come across as showing off.

But the star of American HustleNocturnal Animals and Arrival – a five-time Academy Award nominee and the recipient of two Golden Globes – seems atypically unstarry. Our conversation has simply prompted a demo of one of her great passions: karaoke.

Fresh-faced and freckled, today, the 43-year-old is dressed casually in jeans and a peach blouse, her red hair pulled into a loose ponytail. In spite of her success on the big screen, you might not recognise her if she strolled past you on the street.

She’s one of the most in-demand actors in Hollywood, skilled at switching between roles – from wide-eyed and vulnerable in Junebug, which launched her leading-lady career, through tough-talking and trashy in The Fighter, to religious fanatic in The Master and – most memorably – sexy, seductive con artist in American Hustle.

Amy’s latest part looks set to make her more immediately familiar, however. Next month, she stars in HBO’s hotly anticipated new mini-series Sharp Objects, an adaptation of the novel by Gillian Flynn, author of the bestselling thriller Gone Girl. ‘I’ve been attracted to Gillian’s work for years, because she creates these incredible, flawed females,’ she says.

Directed by Jean-Marc Vallée (who also directed last year’s critically acclaimed TV hit Big Little Lies), Sharp Objects is set in small-town Missouri, where restraint, manners and strong cocktails mask brutal violence and deep dysfunction.

Amy plays what is easily her darkest, most damaged character to date: Camille Preaker, the acerbic, alcoholic, self-harming protagonist. Recently released from a psychiatric unit, Camille, a reporter, is dispatched to Wind Gap, the town in which she grew up, to investigate the murder of two pre-teen girls.

It quickly becomes clear that the intense pain that affects her also infests the other women in her family – her uptight, neurotic mother, Adora (Patricia Clarkson) and her manipulative younger half-sister, Amma (star-in-the-making Eliza Scanlen).

As is becoming increasingly common among Hollywood’s leading ladies, Amy was also an executive producer on the series. It was she who suggested French-Canadian director Vallée. ‘There’s something about the way he tells women’s pain: he circles around it, yet gets to the heart of it,’ she says.

‘He’s not afraid to approach the violence in a way that’s also very emotional.’ For his part, Vallée praises Amy’s bravery in taking on bleak themes. ‘It was scary material, and she was so courageous to tackle this, to be so naked – literally and metaphorically,’ he says.

To help her dig into the darkness, Gillian Flynn recommended she read A Bright Red Scream. ‘It’s first-person accounts by people who self-harm,’ explains Amy, who had to wear prosthetic scars from the neck down during filming. She admits it wasn’t easy to leave Camille behind at the end of each day. ‘I’ve trained myself not to bring a character home, but there were times – whether from living in her head space or just exhaustion – when I suffered insomnia.’

The role also required her to research the psychological condition Munchausen syndrome by proxy, which causes a parent to harm their son or daughter to create the illusion that the child is ill. ‘I did a lot of reading about that too,’ says Amy. ‘It’s so against every parental instinct I have, so I just can’t imagine it. Our daughter [seven-year-old Aviana] has been hurt twice in a way that required trips to the hospital and that’s not something I’d ever want to revisit – it was traumatising.’

Happily, both Amy’s disposition – upbeat, energetic and quick to laugh – and her family life would appear to be a far cry from Camille’s. She and her husband, Darren Le Gallo, met in 2001, at an acting class in Los Angeles, and today live in the city’s glamorous Hollywood Hills. She describes their life as ‘quiet’, save for the odd karaoke night out, or in – the family’s portable karaoke machine even accompanies them on holiday.

When Amy travels for work, her husband and daughter generally go with her. ‘If I’m on my own, I engage in not-great behaviours, like hotel-room eating – sitting in bed every night with a bag of crisps and salsa and a beer,’ she admits.

The middle child of seven, Amy was born on a military base in Vicenza, Italy, where her father was stationed at the time. Her parents were Mormons and, although their adherence to the faith was ‘more cultural’ than overtly religious, ‘church played an important part in our social interactions’, she has said. ‘It instilled in me a value system I still hold true.’

The family eventually settled in Castle Rock, Colorado, when Amy was eight, where her father, having left the army, began singing professionally in nightclubs and restaurants. The rest of her family was more sport-orientated. ‘I was surrounded by these incredibly coordinated siblings who excelled at everything, whereas I just liked to read in my room,’ she laughs.

Her parents divorced when she was 11, and left Mormonism. Her mother, Kathryn, a former gymnast, was also, for a while, an amateur bodybuilder. ‘We have a good relationship, but my mom is tough and always challenged me to push myself,’ says Amy. ‘I wasn’t allowed to be afraid of things, even though I’m naturally very risk-averse. For instance, if a guy pulled up on a motorcycle, I’d be like [adopts goody-goody voice], “Don’t you understand that those are just coffins on wheels?”’

When her mother would take her to her gymnastics class, she goes on, ‘She would say: “We’re not leaving until you do this really tricky move.” That taught me to do things I was afraid of, because the sense of pride in having done something difficult was always worth it.’ It’s a skill that appears to have served her well in her career.

‘I had a kind of autonomy from childhood on,’ she continues. ‘There were so many of us that I knew my parents weren’t going to be funding my life, meaning my choices were my own and I wasn’t worried about what they thought of them.’

She gave up gymnastics, focused instead on dance and trained at a local ballet school. At 18, however, she decided she wasn’t good enough and switched her focus to musical theatre. She worked in dinner theatre for a few years before scoring a chance to audition for Drop Dead Gorgeous, the 1999 beauty-pageant comedy starring Kirstie Alley and Kirsten Dunst, in which Amy played a promiscuous cheerleader.

With Alley’s encouragement, at 24, Amy moved to Los Angeles, where her first few years attempting to break into the industry weren’t easy. ‘I auditioned a lot, but couldn’t figure out why it wasn’t working,’ she has said. ‘The problem was a lack of confidence and self-esteem,’ she tells me today.

In 2004, she was cast as the lead in the CBS series Dr Vegas, alongside Rob Lowe, but the show was dropped after just a few episodes. At that point, she considered quitting the industry.

‘I began thinking I should do something that was more secure,’ she says. ‘I wasn’t willing to be as unhappy as I was in danger of becoming and I didn’t like what it was turning me into.’

Then her fortunes began to turn around. In 2005, she was cast as the lead, Ashley, in the indie comedy Junebug. Her portrayal of the garrulous pregnant woman won her the Special Jury Prize at the Sundance Film Festival, and two years later, scored her the part of Giselle, the optimistic princess, in Enchanted.

Achieving success at 31, rather than 21, has its advantages, she now believes. ‘At least I was able to enjoy my 20s before anyone was paying me too much attention,’ she sighs, nostalgically. ‘No Instagram, no Twitter, no Facebook – thank God! I had a bad habit of taking photos on disposable cameras that didn’t belong to me. I have no idea how many complete strangers’ cameras I mooned into back then!’ she laughs.

Since the downfall of Harvey Weinstein and the rise of the #MeToo movement, are there incidents from early in her career that she feels she wouldn’t be OK with now?

‘Yes, and I wasn’t OK with it back then either,’ she says. ‘I had to audition in a bikini. I didn’t get the role, because the character would be filmed wearing one and I don’t look good in swimwear.’

I scoff at this claim. ‘I really don’t,’ she insists. ‘And that’s OK – that’s not why I was put on this earth. But I don’t know a single woman, working in any industry, who doesn’t have a story like that, about feeling vulnerable.’

I wonder whether, beneath her sanguine exterior, some of the self-esteem issues she mentioned earlier still lurk. Despite being petite, Amy is surprisingly self-deprecating about her body.

‘I always look pregnant in photos,’ she claims with a laugh. ‘I wear loose dresses because I have a paunch. It’s not a big paunch, but it’s there!’ And she’s less than comfortable being snapped on the red carpet. ‘I understand it’s part of the job, but it’s not my favourite place,’ she has said.

‘I love fashion, but having to be somebody who promotes that industry has always been a tricky one for me, because of the way it affects women’s sense of self,’ she says. ‘I’ve lectured several designers about their sizing. If a dress in my size is five inches too small for me, what’s happening?’

Even before the #MeToo and Time’s Up movements began, Amy was catapulted into the centre of rows about sexism within the industry. When thousands of email accounts at Sony were hacked in 2014, the revelations about American Hustle focused mainly on the fact that Amy and her co-star Jennifer Lawrence were paid less than their male counterparts, Bradley Cooper and Christian Bale.

At the time, she chose not to comment. ‘Everyone wanted me to talk about how I felt about it, but I want to fight for people outside our industry, so to come out and look ungrateful about what I’m paid as an actress just didn’t feel right,’ she says today.

‘I do believe in equal pay, but let’s start with our teachers. Let’s get waiters paid the minimum wage. That’s what’s great about what’s happening with Time’s Up – we’re starting to have bigger conversations than just about what’s happening in Hollywood.’

Other emails were also leaked, alleging that the film’s director, David O Russell, was so tough on Amy that Bale stepped in to address the problem. ‘He was hard on me, that’s for sure. It was a lot,’ Amy later said, and she has admitted in interviews that she cried ‘most days’ during the making of the film. ‘I remember saying to my husband, “If I can’t figure this out, I can’t work any more. I’ll just have to do something else. I don’t want to be that person, not for my daughter,”’ she has said.

When she talks about coping during the making of Sharp Objects, it’s clear that she was determined for it to be a very different experience. ‘I’m now able to think, “OK, I know what’s going on here. I just need to go to work, do my job, then come home, make dinner and do something grounding.”’

She was recently reunited with Bale for the upcoming biopic Backseat, about former US vice-president Dick Cheney. She whips out her phone to show me an image of her in character as his wife, Lynne, alongside Bale, who played Cheney, and both are virtually unrecognisable thanks to extensive prosthetics.

The lengthy process of transformation renewed her respect for her co-star. ‘I had to wear the prosthetics for only two weeks, but Christian was coming in at 2am every day to have his applied before the day’s filming started. His work ethic is just incredible.’

Amy is keen to do more producing, too. ‘There’s lots in pencil on the calendar, but I don’t talk about anything until it’s in pen,’ she says. Risk-averse to the end. And with that, she gives me her top karaoke-bar tips and slips back to her quiet life in the hills.

by admin   /   14.06.2018   /   0 Comments

On June 06, Amy Adams attended the press conference for her upcoming series ‘Sharp Objects‘. The event was held at the Four Seasons Hotel in Los Angeles, CA.

Amy was looking gorgeous in a green floral dress and nude pumps.

GALLERY LINKS:
 Appearances & Public Events > 2018 > Jun 06 │’Sharp Objects’ Press Conference at Four Seasons Hotel Los Angeles

by admin   /   05.06.2018   /   0 Comments

Today (05), the HBO released the official trailer for Amy‘s upcoming project, ‘Sharp Objects‘.

Amy Adams plays Camille, a crime reporter who, after a recent stint in a psychiatric hospital, returns to her hometown of Wind Gap, Mo. to investigate the murders of two young girls. But thanks to a complicated relationship with her mother, Adora (Patricia Clarkson), and a town filled with secrets, Camille finds herself being forced to confront her own demons in what becomes a very dangerous situation.

The series, which is based on the 2006 book by Gone Girl author Gillian Flynn, was developed by Marti Nixon (UnREAL) and directed by Jean-Marc Vallée (Big Little LiesWild). “The mystery is as much about who Camille is and what happened in this town as it is about the murders,” Gillian Flynn said.

Sharp Objects will consist of eight episodes, premiering on July 8 on HBO.

GALLERY LINKS:
 Television Series > Sharp Objects (2018) > Official Trailer

by admin   /   25.04.2018   /   0 Comments

VARIETY Amy Adams is set to star in the Fox 2000 film “The Woman in the Window” with Joe Wright directing.

Tracy Letts penned the screenplay with Scott Rudin and Eli Bush producing.The pic is based on A.J. Finn’s best-selling novel, which debuted at No. 1 on the New York Times bestseller list and remains the biggest-selling adult fiction title of 2018. With more than one million copies sold in the United States, the novel has additionally topped the bestseller charts in multiple countries and is currently published in 38 languages.Elizabeth Gabler and Marisa Paiva are overseeing the project for Fox 2000.

Adams will next be seen starring in “Sharp Objects” for HBO, where she serves as an executive producer as well. She will also star as Lynne Cheney in Adam McKay’s upcoming Dick Cheney film opposite Christian Bale. Adams is represented by Brillstein Entertainment Partners, WME, and Sloane, Offer, Weber and Dern.

Wright’s most recent film is “The Darkest Hour,” which was nominated for six Academy Awards, including best picture. The film won the Academy Award for best actor for Gary Oldman.

by admin   /   23.04.2018   /   0 Comments

The first trailer for HBO’s adaptation of Sharp Objects dropped yesterday during the season two premiere of Westworld and it is definitely haunting. Based on Gillian Flynn’s novel by the same name, the limited series stars Amy Adams as Camille Preaker, a journalist who returns to her hometown to cover the murders of two preteen girls only to find herself identifying with the young victims too closely.

The trailergives a taste of the eight-episode limited series from Entertainment One and Blumhouse Television with flashes of scenes that definitely reflect that of Flynn’s Gone Girl storytelling. The series also stars Patricia Clarkson, Chris Messina, Eliza Scanlen, Elizabeth Perkins and Matt Craven.

Watch the trailer below:

 

GALLERY LINKS:
 Television Series > Sharp Objects (2018) > Teaser #1

by admin   /   19.04.2018   /   0 Comments

On April 18, Amy Adams was spotted leaving the Mr Chow restaurant in Beverly Hills after a girls’ dinner date with Rachel Weisz.

The pair looked effortlessly elegant as they enjoyed a night out on the town at the upmarket Asian fusion eatery. Check the photos in our gallery:

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 Candids > 2018 > Apr 18 │Leaving Mr Chow in Beverly Hills after a dinner with Rachel Weisz

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